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BOB DYLAN

303 Bob Dylan - With The Band,, Woody Guthrie Memorial Concert, Carnegie Hall, NYC, 1968

304 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

305 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

306 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

307 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

309 Bob Dylan, on his equipment truck outside his Byrdcliffe home, Woodstock, NY, 1968

310 Bob Dylan, on his equipment truck outside his Byrdcliffe home, Woodstock, NY, 1968

311 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

312 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

549 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

531 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

313 Elliott Landy photographed by Bob Dylan during Saturday Evening Post session, Woodstock, NY, 1968

314 Bob Dylan photographing Elliott Landy & Jesse Dylan during Saturday Evening Post session, Woodstock, NY, 1968

315 Bob Dylan photographing Jesse Dylan and Elliott Landy, during Saturday Evening Post session, Woodstock, NY, 1968

308 Bob Dylan w. son Jesse Dylan outside his Byrdcliffe home, Woodstock, NY, 1968

317 Bob Dylan with son Jesse Dylan, Byrdcliffe home, Woodstock, NY, 1968

318 Bob Dylan with son Jesse Dylan, Byrdcliffe home, Woodstock, NY, 1968

524 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

525 Bob Dylan, outside his Byrdcliffe home, Saturday Evening Post session, Woodstock, NY, 1968

528 Bob Dylan photographing his horse. Woodstock, NY, 1968

326 Bob Dylan, Sara Dylan, Jesse, Anna, and Sam Dylan at home, Byrdcliffe, Woodstock, NY, 1968

327 Bob Dylan, Sara Dylan, Jesse, Anna, and Sam Dylan at home, Byrdcliffe, Woodstock, NY, 1968

328 Bob Dylan, outside his Byrdcliffe home, infrared color film, Woodstock, NY, 1968

319 Bob Dylan on the porch of his Byrdcliffe home, Woodstock, NY, 1968

547 Bob Dylan on the porch of his Byrdcliffe home, Woodstock, NY, 1968

320 Bob and Sara Dylan with their daughter Anna on the porch of Byrdcliff home, Woodstock, NY, 1968

545 Bob Dylan and Sara Dylan on the porch of Byrdcliffe home, Woodstock, NY, 1968

321 Bob Dylan and Sara Dylan on the porch of Byrdcliffe home, Woodstock, NY, 1968

546 Bob Dylan and Sara Dylan w their children Anna and Jesse Dylan on the porch of Byrdcliffe home, Woodstock, NY, 1968

316 Bob Dylan & Sara Dylan with son Jesse Dylan, Byrdcliffe home, Woodstock, NY, 1968

322 Bob Dylan in his living room, Byrdcliffe home, Woodstock, NY, 1968

532 Bob Dylan in his living room, Byrdcliffe home, Woodstock, NY, 1968

323 Bob Dylan with his children Jesse and Maria Dylan, Byrdcliffe home, Woodstock, NY, 1968

324 Bob Dylan in his living room, Byrdcliffe home, Woodstock, NY, 1968

325 Bob Dylan in his living room, Byrdcliffe home, Woodstock, NY, 1968

Photographing Bob Dylan: The image used for the cover of Nashville Skyline (1969)

One afternoon I went over to his place. As we left the house, Dylan grabbed a hat, and asked, “Do you think we could use this?” I had no idea if it would be good or not, so I told him “take it, and we’ll see.” We walked around through the woods behind his house looking for a good spot. It had just been raining, we had boots on, and he was carrying this hat…

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He paused for a moment, apparently inspired, and said, “What about taking one from down there?” pointing to the ground. As I started kneeling, I saw that it was muddy but kept going. “Do you think I should wear this?” he asked, starting to put on his hat, smiling because it was kind of a goof, and he was having fun visualizing himself in this silly-looking traditional hat. “I don’t know,” I said as I snapped the shutter. It all happened so fast. If I had had any resistance in me, I would have missed the photograph that became the front cover. It is best to be open to life.

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